Quebec Relations

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This site presents translated summaries of information obtained from each funding body’s website. While we strive to ensure that all program information is as accurate and up-to-date as possible, we encourage users to consult each funder’s program documentation in full or to contact a program officer directly with any questions prior to submitting an application.

Film production programs – Documentary & Animation

DESCRIPTION

The National Film Board of Canada produces and distributes short or feature-length documentaries, animated films, and interactive works, whether through a 100% funded production model, co-productions, or partnerships.  

Unlike many other funders, the NFB doesn’t have a predetermined model for grant applications. In order for the NFB to get involved with a project, candidates must do an initial contact with a production unit prior to presenting a project. 

The NFB encourages interested candidates to check the type of projects they found on their website. Consequently, candidates can get in touch with a production unit of interest. The following are the most relevant for applicants from Quebec: 

Once candidates are already in conversation with a production unit, they can obtain information about project proposal requirements and details.

The journey of an NFB project includes five major phases, which may vary based on the project’s form and on unit-specific procedures. However, for all projects, creators have access to first-rate technical services to support, guide and enhance their creative process. In addition, creators are compensated across every phase of production.

PHASE 1 – PROJECT PROPOSAL

PHASE 2 – INVESTIGATE (OPTIONAL)

PHASE 3 – DEVELOPMENT

PHASE 4 – PRODUCTION

PHASE 5 – LAUNCH

CRITERIA

  • Originality: strength of story or concept, intention, and approach
  • Audience and impact
  • Community representation and relationships
  • Geographic location
  • Feasibility

EXPENSES

Project-based. Please contact a production unit for any questions regarding eligibility of a specific project expense.

DOCUMENTS

While interested candidates may communicate with a studio to discuss an idea, NFB recommends sending a discussion document first. This should generally include the following:

For creators

  • Project synopsis (eight lines maximum)
  • Summary (1 to 3 pages) describing the story/subject, the creative approach and point of view. Why do you want to tell this story?* What is your point of view?
  • Overview of the intended audience. Who will this project interest? What impact are you trying to make with the project?
  • CV (including filmography) and samples of or links to previous work
  • For animated films: a portfolio of representative samples of your artwork
  • For interactive works: a description of the user experience, the platform(s) to be used and (if applicable) relationship between them, how they will serve your subject and its treatment, expected technology requirements, and a description of the levels of user engagement
  • Key project details (expected runtime, format, genre, platform, etc.) and current stage of project (preliminary research or development)

*Please note that for projects that treat Indigenous topics, we only accept projects led by Indigenous creators.

For co-producers (Canadian or international)

  • General information about the production company and brief CVs of the filmmaker or creator and any key partners who are or expected to be involved
  • Summary (1 to 3 pages) describing the story/subject, how it will be presented, the creative approach, and the point of view. What is the reason for telling this story?* What is the point of view?
  • For animated films: a portfolio of representative samples of the artwork
  • Overview of the target audience. Who is it for? What platform are they likely to view the work on? How will the work be relevant to them?
  • Budget and financing structure, including major funding sources (confirmed or anticipated) and agreements indicating that the production house holds the production rights
  • Key project details (expected runtime, format, genre, platform, etc.) and current stage of project (preliminary research or development)

*Please note that for projects that treat Indigenous topics, we only accept projects led by Indigenous creators.

Get In Touch With Your Agent

Nathalie Cloutier

Executive Producer, French Documentary Unit and Eastern Documentary Unit

n.cloutier@nfb.ca

Discipline: Animation

Maral Mohammadian

Producer, English Animation Unit

m.mohammadian@nfb.ca

Discipline: Animation

Christine Noël

Executive Producer, French Animation Unit and English Animation Unit

c.noel@nfb.ca

Discipline: Documentary

Ariel Nasr

Producer, Eastern Documentary Unit

a.nasr@nfb.ca

438-334-3537

Discipline: Animation

Jelena Popović

Producer, French Animation Unit

j.popovic@nfb.ca

Nathalie Cloutier

Executive Producer, French Documentary Unit and Eastern Documentary Unit

n.cloutier@nfb.ca

Discipline: Animation

Maral Mohammadian

Producer, English Animation Unit

m.mohammadian@nfb.ca

Discipline: Animation

Christine Noël

Executive Producer, French Animation Unit and English Animation Unit

c.noel@nfb.ca

Discipline: Documentary

Ariel Nasr

Producer, Eastern Documentary Unit

a.nasr@nfb.ca

438-334-3537

Discipline: Animation

Jelena Popović

Producer, French Animation Unit

j.popovic@nfb.ca

Click the funder’s logo to see the program’s official documentation. Please note that official documentation for some programs is only available in French.