Legal advice
with Maître Patrycja Nowakowska
Participants will receive two half-hour consultations with Maître Patrycja Nowakowska. The first will give participants the opportunity to introduce their specific situation and legal concerns. Areas of discussion may include:
After learning about your situation and exploring potential options, a second half-hour consultation will be scheduled for follow-up.
Available dates (for first consultations): March 16, 17, 18, 19 (mornings). Second consultation TBD.
How to prepare: Please come prepared with a list of questions and succinct description of your situation. You do not need to send documentation in advance – Maître Patrycja Nowakowska will review your case in between your first and second appointments.
About Patrycja Nowakowska:
Pat Nowakowska is an attorney hailing from the Westmount law firm of Bergman & Associates with academic and professional background in litigation, contract law, and intellectual property.
Prior to pursuing legal studies, Pat graduated with honours from Concordia’s Graduate Diploma Program in Communications with a focus on documentary filmmaking.
As a law student at McGill University, Pat was an active contributor to student print publications, founded the IP, IT and Policy Club (IPITPol), initiated a course on Cyberlaw, and worked alongside faculty members for the McGill Centre for Intellectual Property and Policy (CIPP).
As a member of both the Quebec and Ontario bars, Pat now acts on behalf of clients at all court levels in both the common law and civil law jurisdictions however her fondest memories of performance still date back to her undergraduate days as a drama nerd for McGill’s Tuesday Night Theatre (TNT) troop.
About the session:
These hour-long grant clinics are open to members applying to any of the following Canada Council for the Arts programs:
Note: due to the current restrictions on travelling, priority will be given to applicants for Explore and Create and Professional Development for Artists.
Participants will receive private consultation with Anna Leventhal, who will offer support and advice tailored to your stage in the application process. For example, this might include:
In addition to answering specific questions, a general tip sheet will be provided to all participants.
Available Dates: February 15 – 17
How to prepare:
Once you’ve confirmed your spot, we ask that you send all supporting material *at least* one week in advance of your session. This can include a draft of an application or simply a project proposal, depending on where you are in the process. Documents can be sent to admin@quebec-elan.org.
About Anna Leventhal:
Anna Leventhal is a Montreal writer, editor, and consultant with over ten years of grant-writing experience. As the former Executive Director of the Association of English-language Publishers of Quebec (AELAQ), she was the organization’s sole grant-writer, managing organizational and project funding from Canada Council for the Arts, The Department of Canadian Heritage, and SODEC. She’s also written, edited, and consulted on grants for individual artists in a wide variety of disciplines, including visual arts, dance, and theatre. She has served on peer assessment committees for the Canada Council, and has provided grant-writing support to disabled artists through the CCA’s Access Support initiative. She looks forward to helping empower ELAN’s members to submit the best grant application they can.
About the session:
Sell yourself without selling out. Learn how to craft your messaging in order to propel your career forward in this straight-forward consultation with Amy Blackmore. Sessions may cover important topics ranging from creation of your own personal branding, to online presence, to in-person networking tips and interview skills.
Dates: March 9, 10, 11 (mornings)
How to prepare: Our survey will prompt you to answer a few questions about your marketing background and needs. You do not need to prepare further documentation for this consultation.
About Amy Blackmore:
Amy Blackmore is the Executive and Artistic Director of MainLine Theatre, the St-Ambroise Montreal FRINGE Festival and the Bouge d’ici Dance Festival. A META-nominated (Montreal English Theatre Awards) choreographer, Amy studied contemporary dance at Concordia University. Recent credits include co-direction/movement for Gratitude (Hyper-Allergenic Productions), direction for Malunderstood (KS Presents) and direction/choreography for Richard O’Brien’s The Rocky Horror Show (MainLine Theatre).
Spearheading innovative projects over the years, Amy’s recent collaborations include the visioning of the Fringe World Congress taking place in Montreal in 2016. This event garnered MainLine Theatre a nomination to the prestigious Grand Prix du Conseil des arts de Montreal. This event inspired Amy to then move on to chair the QDF Congress: Shaping the Future of English Theatre in Quebec which took place in February 2018 at the Segal Centre for the Performing Arts.
An eager advocate for the arts, Amy is a former English Language Arts Network (ELAN) board member and is currently the Past-President of the Quebec Drama Federation (QDF). In 2019, Amy was a finalist for the Montreal Junior Chamber of Commerce’s Young Cultural Entrepreneur award and a leadership fellow at the Canadian Arts Summit.
About the session:
Participants will receive one hour of private consultation with arts publicist Barbara Ford, who will offer advice on topics including:
Available Dates:
How to prepare:
Once you’ve confirmed your spot, we ask that you send all supporting material *at least* one week in advance of your session. You will receive further instructions upon submitting your application survey, and documents can be sent to admin@quebec-elan.org.
About Barbara Ford:
Barbara has been involved with the performing arts in one way or another for most of her life: on stage as a professional dancer and behind the scenes as a choreographer and instructor. In 1998, she shifted her focus to marketing and communications for the arts. She has had the great privilege of working closely with many local, diverse artists in various capacities and for companies large and small—including but not limited to Centaur Theatre, the Segal Centre, the National Film Board of Canada, CBC Television, ELAN and Just for Laughs—as well as for retail outlets and international theatre and dance companies. Additionally she has given marketing workshops to college students and consulted for local theatre groups and Quebec arts events.
About the session:
Participants will receive two half-hour consultations with arts accountants Dael Foster. The first, on February 10, will give participants the opportunity to meet with Dael, to introduce their specific financial situation and accounting concerns, and to ask any questions. Dael will offer advice and next steps, which can be revisited three weeks later during an optional follow-up on March 3.
Available Dates:
How to prepare:
To make the most of your consultation, please come prepared with:
About Dael Foster:
Dael Foster is a self-employed bookkeeper and accountant with 30+ years of experience in preparing personal income taxes. When not adulting, she can be found singing (badly) and doing costume design for community theatre.
460 Sainte-Catherine West
Suites 706 & 708, 917 (Quebec Relations)
Montreal, Quebec, Canada H3B 1A7
Phone: (514)-935-3312
admin@quebec-elan.org
ELAN is an official minority language organization within a country that recognizes two languages as official. ELAN is located in Tiohtiak:ke, the original name for Montreal in Kanien’kéha, the language of the Mohawk—also known as Mooniyang, which is the Anishinaabeg name given to the city by the Algonquin. While we are based in this city, our projects have also taken place in many regions across Quebec.
We acknowledge the colonial origin of English and French in Canada, and recognize that both languages benefit from official status throughout the land. The province that we know as Quebec is an amalgamation of the traditional territories of the Innu and Inuit nations, Algonquian nations, as well as the Mohawk nations of the Haudenosaunee Confederacy. Kanien’kéha and Anishinaabeg are but two of the original languages of this province; Atikamekw, Cree, Inuktitut, and Innu-aimun are also among the many Indigenous languages spoken across Quebec as majority languages, all well before French and English.
ELAN acknowledges the important work being done by First Nations, Inuit and Métis peoples to revive the traditional languages of these territories, and their advocacy for the official status of Indigenous languages.